native voices theatre

Monday 16 November to Wednesday 18 November, Indigenous, First Nations, Native Theatre. And if you think the genocide against our people is an event of the past, you’re wrong. I am confident that after reading the words these seven artists have to share this week, you will share my conviction that their work, and the work of all Native artists, deserves a place on the American stage. But that’s not the point. I have to ask questions of my Elders and those who have more knowledge than me simply because it was taken from us, and we are still working to recover it. Renea Brown, Jordan Ealey, Leticia Ridley. Submissions are evaluated annually by our National Reading Panel, which is composed of nationally recognized theatre artists, directors, dramaturgs, and decision makers from professional theatre companies and universities across the United States—as well as by the Native Voices artistic and executive directors. I feel so excited for this series! Plays can be new works, works-in-progress, or material that has already been produced at another venue. Occurring annually in November during the Autry Museum’s American Indian Arts Marketplace, the Short Play Festival presents professional staged readings of ten- to thirty-minute plays centered around a particular theme. Our traditional live programs include our signature historical introduction, engaging multi-media performance, and post-show discussion. The author’s grandmother is buried about twenty feet away. (You can learn more here.). Native Voices has produced plays by a diverse group of Native writers, covering an array of subjects from satiric comedies to urban dramas and even radio plays. Last updated: June 3, 2019. Washington Campus will be temporarily closed to the public, beginning Saturday, March 14, until further notice. As a lawyer, and as a direct descendant of a survivor of genocide, I have committed my life’s work to eradicating the harmful stereotypes and false stories this Nation created to justify the “legal” extermination of my people. Yale Indigenous Performance Arts Program, New Haven, Connecticut. At the The Public Theater she dramaturged such projects as Jessica Hagedorn’s Dogeaters, ... as a playwright’s dramaturg for UC San Diego’s Wagner New Play Festival and has been a dramaturg at the Sundance Theatre Lab, Magic Theatre, Native Voices at the Autry, and Playwrights Project, among others. This could be viewed as an introduction, as many American theatres have never before worked with a Native artist. Her organization has worked with Native artists in New York for twenty-five years. This was no accident. Institute of American Indian Arts Museum of Contemporary Native Arts, Santa Fe. Following this decision, rates of violence against Native women skyrocketed. The majority of the perpetrators of violent crimes against Native women are non-Native men. Read news, see photos and watch videos. 5. Native Voices: Annual Call for Scripts 2020-2021, Indigenous Realities of Southern California: Filmmaking as Activism. Please come to Tahlequah! You will. 4. A must read for many, myself included. Red Earth Arts Center, Seattle, Washington Following this victory, my grandfather John Ridge visited President Jackson in the White House to ask how the federal government would enforce the Court’s decision. Based in the Twin Cities, New Native Theatre is a new way of looking at, thinking about, and staging Native American stories. The performance of redface in the nineteenth century served as a necessary corollary to the development of the Supreme Court’s legal regime that defined us as “heathens” and “savages,” as redface communicated the belief that Indians are not “real people.” Without this belief, genocide would not have been possible. #1 is a complete myth: Speaking from personal experience at AlterTheater, yes, plays by Native playwrights sell tickets, to both Natives and non-Natives (our audiences were approximately 10% Native). As a result, if I produce a play by a Native playwright, I won’t sell any tickets. Interview Series: Tropical Cowboys, The American Art Collaborative Linked Open Data Consortium, Request for Interest: Historic Southwest Museum Campus and the Casa de Adobe. Selected playwrights receive an honorarium, roundtrip airfare to California, and lodging. I have deemed this week: "Instead of Redface" (#InsteadOfRedface)—as our voices collectively question why redface is more prevalent on the American stage than our own authentic Native voices. It’s no coincidence that the eradication of blackface in many locations accompanied the eradication of the prejudicial Jim Crow laws named after the Jim Crow performance that allowed for their existence. Stories and performances were constructed to allow the Court to conclude we are “racially inferior”—stories that continue to find their way to the American stage today. Except for a few law schools (not mine) that offer specialized federal Indian law classes, the Supreme Court’s decisions concerning American Indians were not taught, nor were they even discussed. The Initiative curates original Indigenous programming, including workshops, markets, and theatrical productions, to elevate the voices and artistic works of Native communities both nationally and internationally. But all of my efforts would amount to nothing if I didn’t first change the story. 4700 Western Heritage Way, Los Angeles, CA 90027-1462 I need to point out: we are not alone. Native Voices is a member of Actors’ Equity Association, LA Stage Alliance, and the Dramatists Guild; an associate member of the National New Play Network; and a Constituent Theatre of Theatre Communications Group (TCG), the national organization for the American theatre. In an unprecedented decision, Justice Marshall issued a ruling declaring Cherokee Nation to be a sovereign, “distinct community”—with the inherent right to exist pre-dating the borders of Georgia (Worcester v. Georgia). Andrew Jackson is the only president in the history of the United States to openly defy an order from the Supreme Court. In 2016 she had a residency at the Ingmar Bergman Estate in Sweden, and in 2017 was the … After listening to our story of survival, I knew I had to study the law. Native People do not make up a significant portion of the individuals who come to my theatre; they aren’t a noticeable part of my audience. What do we say?! The Historic Southwest Museum Mt. And when I asked my father, his voice floundered and his eyes begged my silence. ROOTS Week 2020: The Fierce Urgency of Now. The case my grandfathers had won, Worcester v. Georgia, wasn’t in the curriculum. La MaMa Experimental Theatre Club is committed to supporting ethnic diversity, cultural pluralism, and marginalized identities in the arts. But truly, we’ve already been introduced. Native Voices at the Autry Theaters, Los Angeleles. Trans [Plays] of Remembrance Short Play Festival (Live-captioned), Livestreaming a Conversation: Next Generation Voices: Social Change, Youth Activism, and Writing the Future You Want To See. Instead of actual people with intelligent things to say about the desecration of our race, we were portrayed as a silent costume. More than 4,000 died on the journey now known as The Trail of Tears. The week culminates with a festival of staged readings. What does it mean when, in twenty-first century America, the United States Supreme Court still classifies your people as “racially inferior?”. When Americans see Native People on stage for who we actually are—real people—it will be much more difficult to abide the century-old edict from our Supreme Court that we are “racially inferior” “savages.”. You honor them and all of us as you create a space for Native Voices to be heard. And so we left. The staff of HowlRound Theatre Commons at Emerson College wish to respectfully acknowledge that our offices are situated on land stolen from its original holders, the Massachuset and Wampanoag people. Native Voices at the Autry is the country’s only Equity theatre company devoted exclusively to developing and producing new works for the stage by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights. Recognizing that neither the federal government nor the State of Georgia would abide our right to remain on our ancestral lands, my grandfathers signed the Treaty of New Echota, agreeing to relinquish our cherished homeland in exchange for land in what is now Oklahoma. When we finally arrived, I jumped out of our minivan and began exploring. So this week is not an introduction. Following the signing of the treaty, President Jackson forcibly placed 16,000 Cherokee in concentration camps for holding until they were “sent” to what is today Oklahoma. Although I was, at the time, a straight-A student, I knew I wouldn’t find the answer in a textbook. Let him enforce it. I am confident that when you read the words of the seven Native artists I’ve asked to write, you will agree with me that as American theatre artists, we are capable of much more than redface. In 1832, when the State of Georgia and the Executive Branch of the federal government threatened the Cherokee Nation’s very existence, my grandfathers—along with Principal Chief John Ross—took the Cherokee’s case to the Supreme Court of the United States. When Virginia native Courtney Sale arrived in Massachusetts back in March, the theater scene was beginning to undergo some drastic changes. This is simply not true. Interested in following this conversation in real time? The only way to deconstruct a falsely fabricated prejudicial story is to tell a real one. Thank you for this beautiful, clear, sharp & incredible piece! Thank you for curating this series! Past retreats have been held at the Autry Museum, Occidental College, and UCLA, all in Los Angeles; as well as in San Diego County at San Diego State University and La Jolla Playhouse. On a recent morning, a group of actors inside the Autry Museum’s Wells Fargo Theater begins their first reading of Tara Moses’ play, “Quantum.”. So I read. 2017 saw the rolling world premiere of Frank’s play They Don’t Talk Back at Perseverance Theatre, Native Voices at the Autry, and La Jolla Playhouse. The First Look Series is a script development process that brings playwrights together with professional directors, dramaturgs, and actors. The museum is located in Griffith Park across from the Los Angeles Zoo. Thank you so much for writing this, Ms. Nagle. Yes, it is true that as a result of the genocide, American Indians now make up less than 1 percent of the population in the United States, and as you can imagine, this means we do not comprise the majority of ticket sales in American theatres. Most Watched. Redface, however, is not an authentic story. Learn more. Point is: I invite you to be a part of the solution. 5th Annual YIPAP Festival Celebrates Emerging Voices in Native Theater. true The Royal National Theatre alone in Great Britain has a current annual budget of $30 million, which is more than 1/4 of the entire National Endowment for … The majority of our culture was taken from us. It’s Thanksgiving onstage. The Initiative curates original Indigenous programming, including workshops, markets, and theatrical productions, to elevate the voices and artistic works of Native communities both nationally and internationally. When I was asked to curate a week of Native voices, I was both thrilled and terrified. The expression on her face. Todd Brian Backus, Percival Hornak, Nicholas Orvis. Shakespeare in Black with Renea Brown. Osiyo. Click to discover Living Voices. I am excited to know that Perseverance Theatre will soon be producing Vera Starbard’s Our Voices Will be Heard. MINNEAPOLIS (Dec. 8, 2020) — Hennepin Theatre Trust today announced a collaboration with the Native American Community Development Institute (NACDI) to launch We Are Still Here, a multi-year initiative to uplift Native voices and stories in Minneapolis.With grant funding through the McKnight Foundation, We Are Still Here will bring large-scale, high profile public art by emerging Native … She turned and walked straight back to the minivan. However, as a result of Oliphant, our tribal governments have been stripped of their jurisdiction to prosecute the men who harm our Native women. Today, we have the talent and the power to tell real Native stories by Native artists. It’s an issue of economics. Native Voices at the Autry is devoted to developing and producing new works for the stage by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights. These two men, Major Ridge (Ka-Nun-Tla-Cla-Geh, he who walks along the Ridge) and his son, John Ridge, were my great-grandfathers. Photograph: The graves of Major Ridge and John Ridge. And in May 2014, the Public Theater workshopped my play Manahatta as a part of its inaugural Public Studio workshop series. Anyone who thinks their performance of redface is radical, witty, or somehow inviting of an audience to think critically about the perpetuation of the colonial framework that allowed genocide to occur in this country is wrong. Of course, that’s why it was invented. This event began in 1654 when the Dutch built the wall on “Wall Street” to remove the Lenape Indians from their home and culminated in 2008 when the banks on Wall Street used similar “business” tactics to remove millions of Americans from their homes. The trip was long. She stood for half a second, then her neck arched back, her body heaved forward, and for the first time in my life, I saw my grandma spit. Our identity has been appropriated and used on the American stage for hundreds of years—we’ve just never had any say in it. 3. Nov 01 - 10 2019. In 2014 the company established the Native Voices Artists Ensemble to more fully support the extraordinary talents of its Native actors, writers, musicians, directors, designers, and producers. The genocide against our people will never be a “thing of the past” as long as we live in a society unwilling to talk about it. But when I got to law school, I was faced with an abrupt reality. For the actors involved, “Almighty Voice and his Wife” is an opportunity to perform a classical work from the Native theater canon. All rights reserved. Interview Series: Singing Cowboys & Cowgirls, What is a Western? The Ensemble is devoted to developing new work in a collaborative process as well as supporting Native Voices’ ongoing focus on the work of individual playwrights. Although we now live in the twenty-first century, the Supreme Court continues to cite and rely on nineteenth century decisions that describe my people as “racially inferior,” “heathens,” and “savages” (Johnson v. McIntosh), “a simple, uninformed, and inferior people,” (United States v. Sandoval), and “an ignorant and dependent race” (Lone Wolf v. Hitchcock) living “in a state of pupilage” (Elk v. Wilkins, a case that concluded that Indians are the only race in the United States without a constitutional right to citizenship under the Fourteenth Amendment). First, there is no empirical evidence to support such a conclusion. Collaborate with us—not about us. Let’s go. I was devastated. true Performance art began as a form that predominantly combined ballet with special sound effects and limited visual design elements. When my theatre company puts redface on our stage, we do it with the knowledge that what happened to Native People in this country is wrong; indeed, our performance of redface constitutes an artistic critique of the racial stereotypes that allowed the genocide to happen. Let's hope--and work--so that all neglected voices have their say, and so that we can all truly listen to each other and change each other's hearts. Each spring and fall, plays are workshopped and prepared for a public staged reading and discussion, giving the playwright an opportunity to hear the play—often for the first time—with a live audience. They fought to save an entire Nation not with a gun in a battlefield—but with a petition in a court of law. Recommended. Receive email alerting you to new threads and the continuation of current threads. 1 is based not on truth, but like redface, finds its roots in prejudicial beliefs. Frank currently serves as the Board President of Juneau Douglas Little Theatre (JDLittletheatre.org) and has been involved with Perseverance Theatre (PT) since the fall of 2008. … 2. Or Diane Fraher at AMERINDA in New York. Today, statistics reveal that Americans who go to the theatre are more likely to witness the performance of redface on stage than the performance of Native stories by Native People. Theater is also an avenue where Native voices can be heard. Or Rhiana Yazzie in Minneapolis. What is a Western? The alternative I suggest we consider is simple: put authentic Native voices on the American stage. In 1978, the Supreme Court relied on its earlier conclusion in Johnson v. McIntosh (the 1823 decision declaring us to be “heathens and savages”) to conclude that Indian Nations could no longer exercise jurisdiction over non-Natives who commit crimes on tribal lands (Oliphant v. Suquamish Indian Tribe). What made my grandma, who had never so much as uttered a swear word in her life, spit on the grave of Andrew Jackson? Invite us to share our stories. One by one, panelists outlined a vision of theater that centers Native voices both onstage and off, in which artists and makers are no longer beholden to the desires of white bodies in white seats at white-led institutions. This week on HowlRound, we are exploring Native voices on the American stage. In a country where the Supreme Court continues to define us as “racially inferior,” “heathens,” and “savages,” and in a country where redface remains a popular performance, the absence of our voices from the American stage constitutes nothing less than a constitutional crisis. The Initiative curates original Indigenous programming, including workshops, markets, and theatrical productions, to elevate the voices and artistic works of Native communities both … Customize your performance to accommodate your group and space while adhering to safety guidelines. I watched as the saliva of our ancestors flowed through her mouth and hit that grave with an echo that turned heads and stopped conversations. The company has been hailed by critics as “a virtual Who’s Who of American Indian theatre artists,” “a hotbed for contemporary Native theatre,” “deeply compelling,” and “a powerful and eloquent voice.”, Native Voices provides a supportive, collaborative setting for Native theatre artists from across North America and is committed to putting Native narratives at the center of the American story in order to facilitate a more inclusive dialogue on what it means to be American. Mar 27, 2012 - Explore Native Voices's board "Theatre Around the World", followed by 208 people on Pinterest. The majority of these ticket sales were to non-Natives, giving rise to a reality that Myth No. Created in 2009 by playwright, Rhiana Yazzie, NNT produces, commissions, and devises authentic Native American stories for the stage which means NNT’s artists are intricately connected to the concerns and voices … For information on how to submit and current deadlines, please visit our Call for Scripts. Native Voices has produced 22 fully realized plays (including 15 world premieres) and over 150 workshops and staged readings in its 21-year history. HowlRound is a space for knowledge-sharing, and we welcome spirited, thoughtful, and on-topic dialogue. About Us. The article is just the start of the conversation—we want to know what you think about this subject, too! Instead, it is a false portrayal of Native Peoples—most often performance by non-natives wearing a “native” costume that bears no relation to real Native People. These cases have never been declared unconstitutional. But when I caught a glimpse of my grandma, my legs came to a standstill. As my grandmother’s provocative spit demonstrates, we are still here. Submissions are accepted on an ongoing basis; however, there are specific deadlines for particular development opportunities in an upcoming season. We wish to pay our respects to their people past, present, and future. Live Theatre. If you’ve never produced a play by a Native artist, how can you conclude your audience won’t like it? The Autry is temporarily closed to visitors. Native Voices at the Autry, America's leading Native American theatre company, presents its 25th Annual Festival of New Plays at the Autry Museum of the American Westand La Jolla Playhouse. Find our full comments policy here. Thank you, Mary Kathryn, for sharing your family's powerful story. Please click on Past Productions for a full list of previous shows. It’s a revolution. Native Voices has since been able to produce over 34 full productions, gone on over 20 tours, with 23 new play festivals and 13 Native playwrights. Perhaps the tribe could put on performances at Tsa-la-gi or NSU could stage them and workshop them at the Playhouse. John Muir’s Legacy…Whose Land is it Anyway? Top Five Myths that Perpetuate the Performance of Redface and Silence of Native Voices. Native Voices at the Autry is the country’s only Equity theatre company devoted exclusively to developing and producing new works for the stage by Native American, Alaska Native, Native Hawaiian, and First Nations playwrights. I realized that if my law school wasn’t going to discuss how the law “justified” what happened to my people, I would teach myself. Ranking social issues by a scale of importance that puts anything deemed “historical” in an irrelevant bucket dooms us to repeat the tragedies of our past. Wedged in the backseat between my younger sisters and their respective mountains of Barbies, the eight hour drive felt like an insufferable eternity. Log into Facebook to start sharing and connecting with your friends, family, and people you know. Reflections on Native Voices (Closed January 01, 2020) | Off-Broadway - Buy tickets and see show information. She is a dramaturg (Classic Stage Company, Kate Whoriskey, Nature Theater of Oklahoma, Native Voices at the Autry, Poor Dog Group) with an MFA in Dramaturgy from Columbia University and has worked as Humanities Manager at BAM. It was a once in a lifetime spit. Theatre of the Mind. Navajo Playwright Rhiana Yazzie has received a lot of recognition in the few years from theater companies such as Mixed Blood, Teatro del Pueblo, and the Playwrights’ Center, where she is currently a Jerome Fellow. I struggled to make sense of it. Founded in 1994 by Producing Artistic Director Randy Reinholz (Choctaw) and Emeritus Producing Executive Director Jean Bruce Scott, Native Voices became the resident theatre company at the Autry Museum in 1999 and has produced 26 plays (including 22 world premieres) in 39 productions, 25 New Play Festivals, 8 Short Play Festivals, 16 Playwrights Retreats, numerous national and international tours, more than 230 workshops and over 275 play readings. We encourage beginning, emerging, and established Native playwrights to submit. So when we got home, I asked Grandma. I was in my second year of law school when I realized: I had to be a playwright. When we presented Manahatta as a workshop production at the Public this past May, we sold out every night. Most Discussed. For the first time on a national scale, we are telling our stories. And that’s the true gift of working with Native artists. Collaboration occurs in daily workshops with nationally recognized directors, dramaturgs, and an acting company largely composed of exceptional Native American actors. Today, Native women are more likely to be murdered than any other race in America. Featuring plays by Jennifer Bobiwash (Mississauga First Nation), Austen Brauker (Odawa), Camaray Davalos (Payómkawichum), Lee Cataluna (Native Hawaiian), Claude Jackson, Jr. (Gila River … Andrew Jackson told him: John Marshall has issued his decision. Spiderwoman Theater, New York. Today, my grandmother is buried just a few rows down from Major Ridge and John Ridge, in the small Cherokee Cemetery in Jay, Oklahoma, less than a quarter of a mile from our family’s allotment land. The retreat and festival provide emerging and established Native American authors a rigorous opportunity to shape their plays over the course of an entire week. Native Voices Theatre: Stories from the Indian Boarding School, November 17, 2015 Native Voices at the Autry is the only Equity theatre company devoted exclusively to developing and producing new works for the stage by Native American, Alaska Native, and First Nations playwrights. With the realization that redface is a colonial creation that we’ve never truly questioned, I want to highlight the “Top Five Myths” that permeate the American theatre landscape and allow the performance of redface to silence authentic Native voices. Native Voices, Foreign Bodies locates theatre translation theory and practice in Japan in the post-war Showa and Heisei eras and provokes reconsideration of Western notions about the complex interaction of tongues and bodies in translation and theatre when they travel and are reconstituted under … Plays selected for the festival are considered for the Von Marie Atchley Excellence in Playwriting Award, a $1,000 cash prize based on the creative use of the competition theme, originality, theatricality, execution, and audience response. Not long after they arrived in the Indian Territory, my grandfathers (both Major Ridge and John Ridge) were brutally assassinated by their fellow Cherokee. “I’m really looking forward to more opportunities for Native artists to try new things, elevate their work and try really dense content,” said Ajuawak Kapashesit, who plays Almighty Voice. Autry Museum of the American West Native Voices is a crucial part of the Autry’s mission to promote art history and cultures of the American West. It’s OK when we perform redface. New plays take the stage this month. Redface has been performed on the American stage since the early nineteenth century—and despite 200 years of non-natives putting on face paint, feathers, and other fake accouterments and “playing Indian”—we still live in the same legal regime that redface was created to serve. In a country where the Supreme Court continues to define us as ‘racially inferior,’ ‘heathens,’ and ‘savages,’ and in a country where redface remains a popular performance, the absence of our voices from the American stage constitutes nothing less than a constitutional crisis. Someday, I too will be buried there. We have some incredible allies who have given invaluable support to us in our struggle to tell our stories on the American stage. For signing the Treaty of New Echota and acquiescing to the removal, they were considered traitors. Interview Series: Picturing Indians, What is a Western? Native People do not make up a significant portion of the individuals who come to my theatre; they aren’t a noticeable part of my audience. I make mistakes every day. Some day the author will be buried there in the same soil. I will be more than happy to recommend a long list of talented Native artists with whom you should collaborate. Ask me. Back in the comfort of her own home, her face glowed with pride as she pointed to the photos of two men that decorated the wall of her living room. Studi’s hiring furthers the theater company’s commitment to developing and producing new works for the stage by indigenous writers, directors, producers and … I invite you, as my fellow theatre artists, to invite Native artists to your stages. So I turned to theatre. And what I learned shocked me. This was the very same Court my grandmother held in high esteem—the same Court that had recognized my grandfathers’ right—and thus my right—to exist. But before I’m placed in the same soil as my grandfathers and grandmother, I will work tirelessly to ensure that there comes a day when Americans are more likely to witness Native stories by Native People than non-natives performing redface. She is an MFA … And for an eleven-year-old, somewhat painful. Indeed, many of the pressing social issues of today are an unfortunate consequence of our refusal to honestly face our collective past. Around the worlds there in the end, Jackson ’ s mission promote... People you know my experience with my own work has been appropriated used! An introduction, engaging multi-media Performance, and established Native playwrights to submit is: I to... Be murdered than any other race in America is the only Way to deconstruct a falsely fabricated story! 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