For starters, powered monitors need a high-quality amp to drive the speakers cleanly (you don’t want clipped, distorted sound, do you? Direct sound, following a straight path from speaker to ear, mixes in undesirable ways with reflections from nearby surfaces such as walls, tables, and mixing consoles. dome tweeter. (Yamaha’s new HS8S subwoofer can vary its high-cut corner frequency from 80 to 120 Hz.) Around the back, Yamaha has added both room control and high trim response control switches. Both, HS7 AND HS8, are great models and below we’ll discuss the … You’ve probably seen the classic white speaker drivers in countless photos and videos. And don’t miss the first three entries in the series (links below). Neither case is welcome because it changes the frequency response of the sound from your speakers. The HS8 gives you Room Control, Mid EQ, and High Trim controls for good room-matching. You can use the room control settings to offset this at 0, -2dB and -4dB. PHASE switch allow users to set up a subwoofer system with simple connections and no additional equipment; XLR and TRS phone for inputs and XLR for outputs; Înregistrare Produs; HS series Matched Pair models. And with a sub, I can independently control the bass frequencies and volume, depending upon my room, the volume level, the type of music (and bass sounds I am using, etc.). Adjusts the speaker’s high-frequency response. Yamaha HS8 8 inch Powered Studio Monitor - White | Sweetwater Pros of the Yamaha HS8 Speaker port design can greatly influence the clarity of overall sound. The utilization of this state-of-the-art technology allows HS Series studio monitors to meet the demands of more strict professional production environments. Yamaha has ported the active monitors at the back of the HS8 and if you place it too close to the wall (Yamaha recommends a minimum of 5-feet from the closet), then the bass may sound off. All of the components in these high-power woofers, including the woofer ring and the basket further contribute to the HS Series' stunning bass while providing clear, accurate mids. By adopting an advanced noise reduction technology that incorporates a thorough analysis of a visual representation of the sound, Yamaha's engineers are able to control and reduce the vortex. The missing bass is caused by sound bouncing between two walls, with the low pressure in one direction combining with the high pressure in the other, thereby cancelling each other out. Buy YAMAHA HS8 Studio Monitor, Black: ... Level control (+4dB/center click), EQ: High trim switch (+/ 2dB at HF) / Room control switch (0/2/4 dB under 500Hz) Room control and high trim response controls XLR and TRS phone jack inputs. Since every studio is unique, the Yamaha HS8 active monitor lets you tailor its response to fit your space with custom room control and frequency response switches. HS Series speakers employ an amplifier unit perfectly matched to the transducers utilized in each model of the series. The [+2 dB] setting boosts the range above 2 kHz by 2 dB, while the [-2 dB] setting attenuates the range above 2 kHz by -2 dB. What good is mixing a song if you’re not hearing it properly? Page 12: Solução De Problemas • A Yamaha não assume qualquer responsabilidade por acidentes, Vista como quedas, devido à força insuficiente nos pontos de fixação ou HS8I: 25 a 50 mm inadequação do método de montagem. Yamaha has been kind enough to lend us a pair of their legendary HS8 powered studio monitor speakers, which we’ve set up in our office studio and will be using as examples throughout the entire series of articles. Each component's materials and design were carefully re-examined, then optimized, to drastically improve the accuracy of signal reproduction throughout the audio spectrum. The LOW CUT switch and LOW CUT controls enables attenuation of low frequencies for output between 80Hz and 120Hz. It may seem counter-intuitive to trap bass when you don’t have enough, but that’s exactly what to do. HS Series full-range models feature two response controls with detailed settings that allow them to adapt to the surface acoustics of rooms of varying shape and size. Often a vortex at the either end of the port can generate air vibrations inside of the port, causing unwanted noise. It has been designed to suit the bass-heavy music genres of EDM and D&B and offers a flat frequency response with an exceptionally tight deep end sound. Bottom line, the enclosure can be responsible for eliminating (or at least helping to reduce) acoustic issues, rattling, and problem-child resonances that lower-quality monitors may suffer from. We’ve put together some of our top picks for 2020 in our special Holiday Gift Guide episode of the podcast. Is Your Band Ready for Entertainer Insurance? Drawing from Yamaha's over 100 years of piano design experience, HS Series engineers also employed a traditional three-way mitered-joint technique. You’ve probably se… Other than that, the only real tip I have is that apparently Yamaha has stated the volume knob of the HS80's is best set at 11 o' clock. HS Series nearfield reference monitors are the embodiment of this philosophy, delivering a concise sound image, high resolution, and flat response. The reflected path, from speaker to wall to ear, is longer than the direct path, resulting in a copy of the sound arriving just after the original. The Yamaha HS8 is a 2-way bass-reflex bi-amplified nearfield studio monitor with 8 in. These transducers utilize an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Thankfully, the HS8 monitors we’ve been running offer both XLR and 1/4″ inputs for flexibility. The Yamaha HS8 is an excellent studio monitor to work with. Now, most mere mortals can’t technically hear above 20kHz, but many powered studio monitors are “extended range,” meaning they are capable of reaching 30kHz or even higher. Thedesign of a monitor speaker is not as important as other audio equipment. HS8/HS7/HS5/HS8I/HS7I/HS5I/HS8S Owner’s Manual7. The bi-amplification system features a 1-inch tweeter with a waveguide design that enhances directivity control at low frequencies. I would likely have them if I was in a bigger/different room, and my speakers were placed further away from both me and the walls. Yamaha’s iconic collection of speakers has been complemented by a newer series of studio monitors – the HS product line. It has been around for many years, but it still hasn’t lost its touch. The Room Control switch allows you to cut -0, -2, or -4 dB from 500 Hz and below, whereas the High Trim allows you to cut or boost +2, 0, and -2 dB from 2 kHz and above. ROOM CONTROL allows you to attenuate the unnatural, exaggerated low-end that can often occur when speakers are placed next to walls, while HIGH TRIM allows for more flexible control of high frequency response. Standing waves are a particular case of constructive and destructive interference between parallel walls causing certain frequencies to either ring or all but disappear at specific locations (anti-nodes and nodes). The inputs are XLR, TS, and TRS, with a multi-detent level control knob. Yamaha HS7 vs HS8 – Pros and Cons. Sound and light travel in waves and reflect in similar ways (angle of incidence equals angle of reflection), so the mirror shows the first reflection paths from your speakers to your listening position. Try to keep some space between speakers and walls. While you sit at the listening position, your friend places the mirror flat on the wall, moving it until you can see a speaker. The HS Series features newly developed transducers that achieve astonishingly smooth response over a wide range of bandwidth. The easiest way to determine placement of treatments to absorb early reflections is to grab a mirror and enlist the help of a friend. Keep in mind that this series is aimed primarily at the beginner home studio user in an effort to dispel common myths about home recording, and to make the entire process much less intimidating than it might seem at first. The Yamaha HS8 is the biggest in the series and comes with an 8-inch woofer and 1-inch tweeter. The problem with mixing in a small room are room modes, but it shouldn’t be much of a deal with Noise reduction and Room Control technology. Why does this matter? googletag.display('div-gpt-ad-1565462576317-0'); One node will exist exactly half-way between the front and back walls, so it’s best to have your listening position in front or behind the half-way point. Required fields are marked *. We’ve been testing out the HS8 8” powered studio monitors, and the legendary sound Yamaha is known for comes through loud and clear during both tracking and mixing. Then you'll use Mid EQ and High Trim switches to get your mids and highs in the right place. HS8/HS7/HS5 HIGH TRIM switch Adjusts the speaker’s high-frequency response. Review Yamaha HS8 You'll tweak the Room Control setting to compensate for any unnaturally exaggerated low end. COVER STORY: Ben Kweller on the Making of His New LP, Thurston Moore Opens Up About New LP and Surprise Project, LISTEN: Our special holiday gift guide podcast. For years, the go-to for home recording studios and commercial studios alike have been Yamahas. The HS Series features a newly designed, highly efficient 1" dome tweeter that extends the usable frequency range considerably and delivers superb high-resolution sound. I tried googling a bit and found that room control is used when the monitors are close to the wall (correct me if I'm wrong). In fact, even using a flat Room Control setting, you’ll need a subwoofer to be able to accurately assess what’s happening in the bottom octave (from 20 to 40 Hz) of your mix; this is … If you have the room for them I have no hesitation recommending them as a quality pair of large studio monitors. Powered speakers are much more common in the home studio realm, and typically will not only come with their own clean power amplifier built into the system, but also some additional controls that passive speakers simply cannot or do not offer. For example, the HS8’s offer room control capabilities as well as additional high-trim features to help tame frequencies in your room. En g … The declared frequency response of the Yamaha HS8 is 47 Hz to 24 kHz (-3 dB). On the other hand, the JBL LSR 308 offers a frequency response of between 37Hz and 24kHz, which is relatively wider than what you get on the Yamaha HS8. When a delayed signal combines with the original, one may be cycling positive, and the other, negative. No offense intended, but anyone who responds with "set this knob to -2 and that one to +2" is merely stating what works for them in their room. Now while there are some surprisingly decent studio monitors equipped with 3” main woofers, the first thing you’re going to sacrifice with smaller speakers is frequency range and any sense of deep bass. Center your treatments there. The HS8’s offer additional controls for high trim and for compensating for your room environment. You don’t want to be twice as far from the left wall as the right, or rotated with one speaker farther from the front wall than the other. With newly designed, ultra-responsive woofers that utilize large, carefully selected magnets, HS Series monitors produce low distortion sound with a well-defined bottom end at any output level. And if you’re not hearing as much of the spectrum as possible, you’re missing out on nuances in your recordings that could come back to bite you when it comes time to mix or master your work. Setting the switch to the [0] position produces a flat frequency response. 5. For inputs, HS full-range speakers can accommodate a wide range of balanced and unbalanced sources such as mixers, keyboards and audio interfaces with XLR and TRS phone jacks. However, this might not be possible, especially if you’re using it in your home studio or a small professional studio. Page 8: Subwoofer Connections It is also designed to last longer and features a solid finish with heavy speaker magnets. Ceilings, floors, and consoles also can be a source of unwanted reflections.”**. But, the Yamaha HS8 is a great option for those with a larger studio space. Leaving a small space between panel and wall also improves low frequency performance. We hope this installment has helped guide you on your way to setting up studio monitors for optimal recording and mixing in your home studio. Yamaha once again shows why it has a reputation as one of the leaders in the studio monitor space. Save my name, email, and website in this browser for the next time I comment. Buy Yamaha HS8 Powered Studio Monitor featuring 120W Total Output, 8" Cone Woofer, 1" Dome Tweeter, Room Control Response Switch, High Trim, 1x XLR Input, 1x 1/4" TRS Input, Low Resonance Enclosure. By adding mounting points and to the HS, HS-I models are compatible with three optional bracket types—wall, ceiling, and baton—adding the flexibility needed to meet the demands of a broad range of sonic environments. }); Home studio spaces can be a tight squeeze and we know budgets can be even tighter; still, we don’t typically recommend speakers with woofers under 5” for best results. The speaker also features a straightforward setup process that can be done by anyone with the slightest knowledge of … The [+2 dB] setting boosts the range above 2 kHz by 2 dB, while the [-2 dB] setting attenuates the range above 2 kHz by -2 dB. The simplest bass trapping is a thick porous absorber in the corners or on the back wall, often called a “super-chunk.” The classic material for these and many other absorptive treatments is Owens Corning 703 semi-rigid fiberglass boards in a frame covered with Guilford FR-701 fabric. cone woofer and 1 in. Question: What dB setting would you recommend for my yamaha hs8's? The Yamaha HS8 monitor; Yamaha's a legend in studios. Welcome to the fourth and final installment in our series aimed at providing real-world advice for setting up your first home recording studio. The HS8S subwoofer is equipped with XLR and TRS phone jack inputs and for outputs XLR for L and R and EXT SUB out. With the HS8S subwoofer, HIGH CUT control sets the cutoff frequency of subwoofer output high-frequency attenuation from 80Hz to 120Hz, while PHASE switch adjusts the phase of the subwoofer output. Yamaha HS7 and HS8 Advantages. The product offers crystal clear sound which is quite impressive, considering its reasonable price. It’s also ideal for lovers of bass. **For more, be sure to check out 4 Tips To Improve Home Studio Acoustics. What good is mixing a song if you’re not hearing it properly? If the monitors you’re looking at don’t have XLR inputs, but for some reason that’s the only available output type on your interface or console, it’s time to make another choice. Be wary of monitors that don’t disclose their amplifier types or specs. We don’t have time to dissect psychoacoustics here; the key takeaway is the larger the speaker cone, the wider the response. The HS8 gives you Room Control, Mid EQ, and High Trim controls for good room-matching. The HS5 is a 5-inch near-field powered monitor and currently Yamaha’s most affordable studio mon… HS Series cabinets are designed to eliminate unwanted resonance and increase the accuracy of sound reproduction to their extreme limit. Powered studio monitor speakers aren’t going to have standard speaker wire terminals like your stereo; rather, they will likely accommodate balanced XLR or 1/4” inputs. googletag.pubads().refresh([gptAdSlots[7]]); These energies work against each other, reducing level at certain frequencies (destructive interference). Nevertheless, the room control feature will eliminate the issues that happen from placing the speaker near a wall. If you are missing bass at your listening position, you’re probably in a node. These are very common questions for first-time home studio users, and Yamaha and Performer Magazine have teamed up to help guide you towards setting up and choosing the best studio monitors for your home recording needs. 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